"Aida": In the beginning was "The Word"

In 1978, the excellent Grisha (Alexei Onezhen – Prince Guidon from Andreasyan’s Tales of Tsar Saltan) moved with his parents from Volgograd to the working microdistrict “Teplocontrol” in Kazan. In Volgograd, Grisha was doing well, the girls looked at him, and the boys respected him, because he had all sorts of things, like a relatively fresh issue of Playboy magazine.

Ведомости

Published Nov 13, 2026

Source: Ведомости ↗

OpinionМасштаб или... зрелость?

Компании с системным управлением рисками значительно реже теряют деньги.

Леонид Барков

OpinionPlatformization of the economy

The Russian platform economy has come to a point where the experience gained by the market must be turned into clear rules of the game. Platforms have been around for more than 20 years and the platform economy law was passed more than a year ago. This time lag itself says a lot about how regulation of new technologies should be structured.

Ведомости

OpinionVrubel without demons: the art of the past and the present

Vrubel without demons is the main formula of the new exhibition at the All-Russian Museum of Decorative Art, dedicated to the 170th anniversary of the artist’s birth. The exhibition reveals this formula in two ways. Among the almost 400 works, the visitor will not find Vrubel’s textbook paintings: the three of his famous “Demons” remained hanging in the halls of the Tretyakovka and the Russian Museum. But instead of Vrubel-melancholic, with his head immersed in his gloomy dreams, the viewer will see an active artist-experimenter who could from time to time pacify his own inner demons.

Ведомости

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"Aida": In the beginning was "The Word"

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